小亮吉他教學&程式筆記

國內的虛擬主機價格過高，又不能自己ssh進去coding (我用VIM)

朋友推薦這個國外主機就自由多了，可以ssh進去，又便宜又有固定IP

而且還是SSD : https://www.digitalocean.com/?refcode=08b0aaf45cc4

Digital Ocean, 一個月最便宜的專案是 5美金/月

 

 

譜請按繼續閱讀 

 Google幫你找： https://www.google.com.tw/search?q=filetype%3Apdf+while+my+guitar+gently+weeps+jake
 

When I was playing in Los Angeles a few years ago I remember a jazz saxophonist telling me that rockabilly was too simple, it usually only had three chords. Then he listened to more of it and agreed with me that yes it has three chords but the feel and groove of how you play those three chords is not nearly as simple as it may seem. 

Rockabilly comes from a time in which music had a big swing feel which was necessary for the dancers who wished to "dance to the bop", and has a kind of hillbilly approach to playing swing that gives it its own special rhythm. Let's try this in the key of E over standard 12-bar blues changes. 

I have two basic rhythms to get started with. This one is an arpeggio style and the other in the following lesson is single 8th notes on low strings.

Now we will use different types of pick-style approaches to "stylize" the previous video's "upper-register common-tone" progressions. This video focuses on picking techniques inspired by Dave Matthews and Neil Young, and features some other arpeggiation approaches.

If I had to use one word to describe the overall sound of Gilmour's lead playing it would be "epic". He has played many great and original solos over the years, but in my opinion "epic" is what come to mind for most people. In this lesson I'll break down a solo in his style that incorporates many of the elements that make his soloing "epic".

Welcome to the wonderful world of acoustic fingerpicking! We are going to start right at the beginning with a simple pattern, and move all the way on through up to some techniques of the pros!
Let's start from the top, with a simple 4-step pattern.

This four-step fingerpicking pattern is a super-powerful building block for fingerstyle guitar.

For this pattern, play the sixth string (Low E) with a downward pluck of your thumb. Next, pluck upwards on the first string (high E string) with your middle finger. Next, pluck downwards on the third string (G string) with your thumb. Lastly, pluck upwards on the second string (B string) with your index finger.

This pattern of four steps constitutes one half measure of music in 4/4 time. The count is: One And Two And. To complete a full measure, simply play the pattern again, with this count: Three And Four And.

Repeat this pattern over and over, trying to maintain a consistent rhythm, and gradually building up your speed.

In the next lesson, we'll take a look at how to apply this pattern to a variety of chords.

COMMONLY ASKED FINGERPICKING QUESTIONS:

Q: I see you are using only your thumb, index, and middle fingers? I've seen some players use three fingers, plus the thumb. Which is correct?

A: There is no absolute right or wrong to this. You'll hear opinions on both sides of the aisle. My personal preference is based on the tradition called "Travis Picking" named for guitarist Merle Travis. I personally feel this pattern of finger moves, which uses the thumb twice within the pattern, opens up more rhythmic possibilities as you get into more advanced techniques.

Q: What is "TRAVIS PICKING?"

A: The signature "Travis" move is that alternating thumb beat - the fact that your thumb does double-duty, alternating between the bass note, and the third string (or a variation of that) of the guitar. That provides a steady rhythm against which you can then add ornamentations, syncopation, melody, etc. Some students ask why they can't do these same patterns using three fingers, and the thumb on the bass note only. Technically you may be able to, but in so doing you compromise that steady "thump thump" of the Travis-style thumb beats.

Q: Is it necessary to have long fingernails to play fingerstyle guitar?

A: No. My personal preference is to have long-ish nails on the thumb, index, and middle fingers of my right hand. However, many players prefer to play with short nails. There is a difference in tone when using nails vs. not using nails. With nails, the tone is a bit crisper, without nails, it is a bit more muted. It's a matter of personal preference.

狗狗不見的人或是撿到狗狗的人，現在有一個新的平台可以把消息公佈出去

尋狗網： http://www.findingdog.com.tw/

最近在路上常有看到在賣愛心餅干的人，請大家幫他們建家園><�，也謝謝大家的小亮的支持，對於blog所放的廣告賺的錢，通通都捐出去囉~

日期	摘要	支出	存入	結餘
2013/4/5	線上捐款-捐款給喜憨兒基金會	1,933.00	0.00	0.20

對於有興趣學習烏克麗麗的你，第一個遇到的問題應該是如何選一把好的烏克麗麗吧！

挑烏克麗麗就和挑選吉他差不多，我通常用過濾的方式挑選

如果已經有鎖定特定品牌的話，其實就已經刪掉一大半了，基本上我們還是相信較好的品牌有較好的品質

1、選Size  
 
    市面上常見的有21"與23"兩種，21"的只有12格，23吋的約有17格，再來就26"

    如果你是想彈演奏曲的，不建議買21"，因為可以演奏的音域有限。


 2、外型

    選一個自己喜歡的外型，外型為什麼重要呢？因為就算彈的不好，拍照的時候至少好看XD!!!

    有的琴會有缺角，那是讓你高把位時比較好按，依個人喜好與演奏需要挑選吧！

3、音準

    一把音不準的樂器就算聲音再好都沒用，就像聲音好聽的人，但一直走音...

    拿調音器把烏克麗麗的音調準，再一格一個的check，和調音器對

    低階的琴一般來說音都會跑掉一點，如果只有一點還可以調整，如果跑掉太多就不用考慮了

    可以先從第12格開始檢查，如果空弦音是C，那按第12格應該也要是C，而且調音器的準度一定要在中間！

    12格都不準我覺得其他的音也不會準到哪去。

    如果高把位的地方會打弦(撥弦的時候，會有弦打到指板的聲音)的也不要選。

4、手感

    可以用左手在琴頸上滑來滑去試試，並按看看弦，看看好不好按，弦距(弦與指板的距離)是否太高

    推弦看看，看弦與指板在推弦的時候會不會不好推，或是有卡卡的，有不好的磨擦聲。

5、做工

    仔細的看琴的接縫處或是其他小細節，漆是否上不好，木頭是否裂掉、面板是否有損傷

    看看弦鈕是否鬆鬆的，太鬆的音調不準，彈一下音就跑掉了

    如果做工不好的琴，想必品質控管不是很好，一般來講，成本應該也比較低，可以殺價一下。

6、音色

    基本上有附合以上1~4點的，都可以是一把好的練習琴了，如果真的要上台表演，音色是很重要的一點

    音色好的琴，彈出來像CD，音色差的像"抬D"

    可以感受一下撥完或刷完弦後，音是否有持續響約8秒，整個琴的共嗚是否好，感受一下琴的震動

    音量是否夠大，聲音會不會太尖等等。

    通常要彈過音色好的高級琴，才會真的對音色有感覺…因為真的差很多。

7、額外選擇

    可以依需求看要不要選可以插電的等等。

以上是小亮在選琴的一些看法，有其他看法的朋友也歡迎補充:D

烏克麗麗有四條弦
基本調弦可以用 G C E A
烏克麗麗好學的原因之一是，前三個音的GCE就是 C和弦的組成音
因此可以很簡單的彈出和弦

可愛聲音又亮的anuenue
 

		烏克麗麗教材推薦，新手入門易上手！

烏克麗麗（英語：ukulele；國際音標: /ˌʔukuˈlele/，又翻作尤克里里，夏威夷四弦琴），簡稱uke，在英國等地則拼為ukelele，是一種夏威夷的撥弦樂器，歸屬在吉他樂器一族，通常有四條弦。

十九世紀時，來自>葡萄牙的移民帶著烏克麗麗到了夏威夷，成為當地類似小型吉他的樂器，在當地被稱為ukulele，為夏威夷語「跳蚤（jumping flea）」之意。二十世紀初時，烏克麗麗在美國各地獲得關注，並漸漸傳到了國際間。

烏克麗麗分成高音（Soprano）、中音（Concert）、次中音（Tenor）與低音（Baritone）四種尺寸，大小和構造都會影響烏克麗麗的音色與音量。

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